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The Caine Mutiny Court-Martial review: “A talky, classy swan song from William Friedkin”

  • PRG

Opening with the late auteur’s thoughts on cinematic morality, William Friedkin’s final film received applause straight off the bat as it made its Venice debut. In a pre-title director’s note, Friedkin explains that all the films he has chosen to make have toyed with “the thin line between good and evil”. The Exorcist director may have toyed with the Devil, but this chamber piece, pitting a seasoned commanding officer against a subordinate upstart, is more about the grey areas. 

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